Introduction
Unveiling “Girl of Mine”: A Late-Blooming Gem from the King
Elvis Presley’s “Girl of Mine” might not be a chart-topping hit, but it holds a unique place in his vast discography. Recorded in 1973, the song stands out for a few reasons: its origin, its recording context, and its place in Presley’s career trajectory.
Unlike many of Presley’s iconic tunes penned by legendary songwriters like Leiber & Stoller or Doc Pomus, “Girl of Mine” originated across the Atlantic. British songwriters Les Reed and Barry Mason crafted the ballad, offering a softer, more introspective side compared to Presley’s rock and roll roots.
The recording itself took place at Stax Studios in Memphis, a historic location known for its association with soul music giants like Otis Redding and Isaac Hayes. This marked a departure for Presley, who primarily recorded at RCA studios throughout his career. The Stax session was part of a larger effort to revitalize Presley’s sound and reconnect with audiences.
1973 found Presley in a transitional phase. His meteoric rise in the 1950s had given way to a focus on Hollywood films in the 1960s. By the early 1970s, he was returning to live performances and seeking musical renewal. “Girl of Mine” reflects this shift – a heartfelt ballad showcasing Presley’s powerful vocals in a more mature setting.
While not a commercial juggernaut, “Girl of Mine” finds its significance in its context. It’s a testament to Presley’s artistic evolution, his willingness to explore new sounds, and his enduring pursuit of musical connection with his fans. It’s a hidden gem waiting to be discovered by those seeking a different facet of the King’s musical legacy.
So, as you listen to “Girl of Mine,” keep in mind its intriguing backstory. It’s a song born in Britain, recorded in a soul music sanctuary, and sung by a rock and roll icon yearning to reinvent himself. It’s a testament to Presley’s artistry and a reminder that even the King had room for growth and exploration.